Posts filed under Font Friday

Font Friday: Fonts 101

I am here this lovely Font Friday, with a second edition of Fonts 101, and the topic is... TYPOGRAPHY! Typography is not just fonts, it's the art or process of arranging those fonts. You might have a beautiful font collection full of our Font Friday picks, but if you aren't using them properly, then you could really be doing a disservice to your work. In the beginning, I didn't really get how important typography was and I would pick a font and leave it as is, focusing more on the other design elements. After picking up on the different ways to make adjustments, I quickly learned that typography can make or break a design and sometimes it IS the design.  Now, I look back and see that a lot of my designs use type alone and would never be good designs if I hadn't figured out these tools:

LEADING, TRACKING, & KERNING These terms seem confusing, but they are very simple and easy tools and you don’t really need to remember the definition if you know where they are located and how to use them.

You can find them in your ‘Character’ toolbar, which for me is at the top.Photobucket

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Leading, which is pronounced ledding, is simply line spacing. The spacing between lines is automatically set at double in Illustrator, so in order to adjust this, you will need to do it manually to fit with your layout and design.Photobucket

Tracking and Kerning are terms that get easily confused, because they are both refer to the adjustment of spacing. Kerning is specifically the spacing between two letters. Certain letters look awkward side by side because of the way they are shaped, so adjusting the kerning changes the spacing so that they look as evenly spaced as the other letters in the word. The word 'water' is a great example because the 'W' and the 'A' seem too far apart when spaced the same as the other letters, but with kerning they appear to be evenly spaced, even though the 'W' and the 'A' are really closer together then the other letters. Photobucket Tracking, is the overall spacing for a group of letters, and is what you will mostly hear about, even if it is often referred to as kerning. Increasing the tracking gives the letters some breathing room and helps with legibility and visual appeal.

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I thought my Ampersand wedding invitation was a great example to show the difference between a design that is using the default settings and one that is taking advantage of the tracking and leading tools.

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I think you can agree that this is a significant improvement. There's no set way to make the adjustments. All fonts are different, so just play around and try to find a style that fits you.

DISCLOSURE (because there's always people who take things too far) Not all fonts are meant to be adjusted. I do not encourage increasing the tracking on script fonts! These fonts were meant to be connected, and someone worked very hard to make that happen, so let’s keep them that way! See? Photobucket

For more font love, don’t forget to check out the picks of my favorite font friends:

Alexandra & Craig from The Aerialist Press, Allison at Allison Owen Design, Jen from Blush Printables, Sophia and Andre at Brancoprata, Steph from Bubblerock, Catherine at Design Editor,  Laurel at Go Against the Grain, Jenny from Hank + Hunt, Allie at Honey Bee Invites, Lauren from Lauren Elise Crafted, Jenna and Elizabeth from Little Bit Heart, Kerry from Super Swoon and Wendy at Weswen Design. (#fontfriday on twitter)

Posted on August 5, 2011 and filed under Font Friday.

Font Friday: The Lost Type Co-Op

Have you checked out The Lost Type Co-Op? It's a "pay-what-you-want" type foundry with a collection of fonts from all over the world. And by pay-what-you-want, it means you can type in $0 to get it for free! If you do think they are worth some money, then 100% of the funds go directly to the font designer. How nice. It's a pretty neat deal, and they have some very cool fonts available. I couldn't choose just one, so click on the image to take you directly to the font page. Enjoy!

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For more font love, don’t forget to check out the picks of my favorite font friends:

Alexandra & Craig from The Aerialist Press, Allison at Allison Owen Design, Jen from Blush Printables, Sophia and Andre at Brancoprata, Steph from Bubblerock, Catherine at Design Editor,  Laurel at Go Against the Grain, Jenny from Hank + Hunt, Allie at Honey Bee Invites, Lauren fromLauren Elise Crafted, Jenna and Elizabeth from Little Bit Heart, Kerry from Super Swoon and Wendy at Weswen Design.  (#fontfriday on twitter)

Posted on July 21, 2011 and filed under Font Friday.

Font Friday: Telemark

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I love a good slab-serif, and this one is no exception. Telemark, by 'You Work For Them', is a vintage font influenced by the wide serif typefaces of the 19th century. It's striking but not overdone, AND it's only $20. LOVE!

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For more font love, don’t forget to check out the picks of my favorite font friends:

Alexandra & Craig from The Aerialist Press, Allison at Allison Owen Design, Jen from Blush Printables, Sophia and Andre at Brancoprata, Steph from Bubblerock, Catherine at Design Editor,  Laurel at Go Against the Grain, Jenny from Hank + Hunt, Allie at Honey Bee Invites, Lauren from Lauren Elise Crafted, Jenna and Elizabeth from Little Bit Heart, Kerry from Super Swoon and Wendy at Weswen Design.  (#fontfriday on twitter)

Posted on July 15, 2011 and filed under Font Friday.

Font Friday: Dolce Caffe

Photobucket Hand-written fonts are all over the place lately, and they really appeal to me for several reasons: (1) I like the hand drawn look, but cannot create it well myself and (2) I am obsessed with a clean look and sometimes hand lettering can look a little messy. (This likely stems from my hand-lettering abilities, or lack of them.) With hand-lettered fonts, you have the casual look of something hand-drawn, without the work, and in my case, mess.

Enter 'Dolce Caffe'. A yummy looking (and sounding) font that is uppercase letters only and has the perfect hand-drawn feel. It's perfect for those less talented in the drawing department. It's available on myfonts.com and is only $35. Get it here!

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For more font love, don’t forget to check out the picks of my favorite font friends: Alexandra & Craig from The Aerialist Press, Allison at Allison Owen Design, Jen from Blush Printables, Sophia and Andre at Brancoprata, Steph from Bubblerock, Catherine at Design Editor,  Laurel at Go Against the Grain, Jenny from Hank + Hunt, Allie at Honey Bee Invites, Lauren from Lauren Elise Crafted, Jenna and Elizabeth from Little Bit Heart, Kerry from Super Swoon  and Wendy at Weswen Design(#fontfriday on twitter)

Posted on July 8, 2011 and filed under Font Friday.

Font Friday: Bango

Photobucket Bango is a fun new font that caught my eye immediately. It's bold, unicase font, with a bit of a cartoon feel to it. MyFonts.com says "it suits well for poster design, packaging, and anything that needs to draw attention - in an informal way" and I completely agree.

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You can purchase Bango here for $30.

For more font love, don’t forget to check out the picks of my favorite font friends:

Alexandra & Craig from The Aerialist Press, Allison at Allison Owen Design, Jen from Blush Printables, Sophia and Andre at Brancoprata, Steph from Bubblerock, Catherine at Design Editor,  Laurel at Go Against the Grain, Jenny from Hank + Hunt, Allie at Honey Bee Invites, Lauren from Lauren Elise Crafted, Jenna and Elizabeth from Little Bit Heart, Kerry from Super Swoon and Wendy at Weswen Design. (#fontfriday on twitter)

Posted on July 1, 2011 and filed under Font Friday.